With the works for his second exhibition at Galerie Judin, Hugo Wilson has made a great leap. The artist, admired for his masterful depictions of animals, ventures into near-abstraction. Through 17 paintings, large-scale charcoal drawings, and sculptures in bronze, terracotta, and ceramics, he explores the possibilities of dissolving motifs and, at the same time, the play with figurative associations. An essay by renowned German art historian Annette Seele scrutinizes this particular balancing act by the British artist in detail.